CINDERELLA


Choreography by Frederick Ashton
Production directed, supervised and staged by Wendy Ellis Somes and Malin Thoors
Music by Sergei Prokofiev
Set and Costume Design by David Walker
Lighting by Brad Fields

TIMING:
Act 1 – 42:00
Act 2 – 39:00
Act 3 – 23:00

SYNOPSIS
Cinderella, the daughter of an impoverished country gentleman, lost her mother when she was still quite young. Her good-hearted but weak father married again, but his second wife also died, leaving him with her two daughters from a previous marriage. These nasty creatures terrorize him and Cinderella, whom they have reduced to a scullery maid. All day long Cinderella is made to sweep, clean and polish.

ACT I: A room in Cinderella’s father’s house

Cinderella’s Step-Sisters are highly excited: they have been invited to a ball at the palace, but Cinderella must stay at home. Alone for a moment, Cinderella recalls the happy days when her mother was still alive. Her father misses those times too, but is afraid of his bad-tempered step-daughters, who scold him angrily when he tries to comfort Cinderella.

An old Beggar Woman comes asking for alms. The Step-Sisters drive her away, but Cinderella offers her some bread. The old woman casts a gentle look at the kind girl and disappears.

Tradespeople arrive, and dressmakers, a hairdresser and a jeweller help the Step-Sisters to prepare for the ball. With their dancing-master, they practice the gavotte. Cinderella’s father and Step-Sisters set out for the ball, and she is left sad and alone.

The Beggar Woman reappears and reveals herself as Cinderella’s Fairy Godmother. She takes Cinderella far away from her grey, everyday existence to an enchanted realm of beauty and fantasy high up among the stars, where the fairies of Spring, Summer, Autumn and Winter come, and each offers her their season’s gift.

The Fairy Godmother tells Cinderella that, as a reward for her kindness, she shall go to the ball in the most beautiful dress of all. But she also warns her that she must leave before the clock strikes midnight, or all the magic charms will fade away and Cinderella will be a scullery maid once more.
Cinderella is sent to fetch the silvery pumpkin that she grew in her little kitchen-garden, and it is instantly transformed into a luxurious carriage. Dressed in shimmering white, Cinderella rides away to the ball.

ACT II: The ballroom at the palace

The court jester is waiting for the ball to begin. The guests arrive, including Cinderella’s father and Step-Sisters. A fanfare heralds the Prince. Then mysterious music accompanies the arrival of Cinderella in her magical pumpkin coach. She is so beautiful that everyone takes her for a princess; even her Step-Sisters fail to recognize her. The Prince is charmed by her beauty, and offers her oranges, the rarest fruit in his realm. The guests disperse and the Prince and Cinderella, left alone, declare their love for each other. The waltz resumes and, caught up in the dance, Cinderella forgets the Fairy Godmother’s warning.

Suddenly the clock strikes 12 and Cinderella rushes from the palace, losing one of her slippers on the stairs. Dismayed, the Prince picks up the slipper and vows he will find the girl he loves.

ACT III: After the ball

Cinderella finds herself once again at the kitchen fireside. Was it all a dream? Then one of her elegant slippers falls from her apron and she knows she really was at the ball and danced with the Prince. The Step-Sisters arrive home and brag to Cinderella about their conquests at the ball.

Father announces that the Prince has come, searching for the girl who lost the slipper. When the Prince enters, both the Step-Sisters try to cram their large feet into the little slipper, hoping to convince him that it is theirs. Cinderella kneels to help – and again the slipper falls out of her pocket. The Prince immediately recognizes in the modest Cinderella the beautiful princess from the ball.

The Fairy Godmother appears. The lovers are united and walk away into the golden light of happiness.

Cinderella, with choreography by Rostislav Zakharov, was given its World Premiere by the Bolshoi Ballet on November 21, 1945 with Olga Lepeshinskaya as Cinderella and Vladimir Preobrazhensky as the Prince.

Cinderella, with choreography by Konstantin Sergeyev, was first performed by the Kirov Ballet on April 8, 1946 with Natalia Dudinskaya as Cinderella and Konstantin Sergeyev as the Prince.

Mikhail Baryshnikov’s production, the first for American Ballet Theatre, received its World Premiere at the Kennedy Center for the Performing Arts, Washington, D. C. on December 20, 1983, danced by Magali Messac (Cinderella) and Patrick Bissell (The Prince).

ABT's second production of Cinderella, with choreography by Ben Stevenson, was given its ABT Company Pemiere at the Metropolitan Opera House, New York, New York on May 17, 1996, danced by Julie Kent (Cinderella) and Maxim Beloserkovsky (The Prince). A third production, choreographed by James Kudelka, received its American Ballet Theatre Company Premiere on June 2, 2006 at the Metropolitan Opera House danced by Julie Kent (Cinderella) and Marcelo Gomes (Her Prince Charming).

Frederick Ashton’s Cinderella was given its World Premiere by the Sadler’s Wells Ballet at the Royal Opera House, Covent Garden, London on December 23, 1948, danced by Moira Shearer (Cinderella), Michael Somes (Prince), Frederick Ashton and Robert Helpman (Stepsisters), Alexander Grant (The Jester).

This production of Cinderella, with choreography by Ashton, is the fourth for ABT. It had its Company Premiere at the Metropolitan Opera House, New York on June 9, 2014, danced by Hee Seo (Cinderella), James Whiteside (The Prince) and Veronika Part (Fairy Godmother).



© Copyright 2003-2014 Ballet Theatre Foundation, Inc.
All rights reserved.