Adapted from A Midsummer Nights Dream by William Shakespeare
Choreography by Frederick Ashton
Staging by Anthony Dowell with Christopher Carr
Music by Felix Mendelssohn
Sets and costumes by David Walker
Lighting by John B. Read
World Premiere by The Royal Ballet at the Royal Opera House, Covent Garden, London on April 2, 1964, danced by Antoinette Sibley (Titania), Anthony Dowell Oberon), Keith Martin (Puck), Alexander Grant (Bottom), Carole Needham (Helena), Vergie Derman (Hermia), David Drew (Demetrius), Derek Rencher (Lysander), and Alan Bauch (Changeling Indian Boy).
The Dream received its United States premiere by The Royal Ballet at the Metropolitan Opera House, New York on April 30, 1965, danced by the same cast, except for Rennie Dilena (Changeling
The Dream was given its American Ballet Theatre Company Premiere at the Metropolitan Opera House, New York on May 24, 2002, danced by Alessandra Ferri (Titania), Ethan Stiefel (Oberton) and Herman Cornejo (Puck).
The King and Queen of Fairyland, Oberon and Titania, are quarreling over the changeling boy. Oberon send his sprite Puck through the forest to fetch a strange flower, the juice of which when dropped in the eyes during sleep brings love for the first living thing seen on waking. Oberon plans to use this to spite Titania. Into the forest have strayed a happy pair of lovers, Lysander and Hermia, and their two unhappy friends Helena and Demetrius. Helenas love for Demetrius is, at present, unrequited, for he mistakenly desires Hermia. Oberon has watched these mortals and when Puck returns with the magic flower sends him with some to charm Demetrius into love with Helena. Oberon, meanwhile, drops some of the charm into his queens eyes and causes her to be awakened by a rustic called Bottom on whom the returning Puck, to heighten his masters revenge, has fixed an asss head. On waking, Titania falls in love, but Puck, for all his cleverness, has complicated the affairs of the mortal lovers by charming the wrong man, Lysander, into love with Helena. Oberon commands Puck to create a fog, under cover of which all is put right. Titania, released from her spell, is reconciled to her master, and the mortal lovers are happily paired off. Bottom, restored to human form, but with dream-like memories of what lately happened, goes on his puzzled way. I will get Peter Quince to write a ballet of this dream. It shall be called Bottoms Dream.