Daphnis and Chloe
Everything Doesn't Happen at Once
From Here On Out
I Feel The Earth Move
Millepied came to New York City to attend the summer program at the School of American Ballet, the official school of New York City Ballet. The following year, he became a full-time student at the school, having received the “Bourse Lavoisier,” a scholarship award from the French Ministry. At SAB he studied with Stanley Williams and Adam Luders. In the 1994 SAB Spring Workshop, Millepied originated a principal role in Jerome Robbins’ 2 & 3 Part Inventions, set to music by J.S Bach. He was awarded the “Prix de Lausanne” the same year. In his last year at SAB, Millepied received the Mae L. Wien Award for Outstanding Promise and was invited to become a member of New York City Ballet. In the spring of 2001, he was promoted to the rank of principal dancer at NYCB, where he remained until his retirement as a dancer in 2011.
Millepied danced principal roles in ballets by George Balanchine and Jerome Robbins. Millepied created roles in ballets by Jerome Robbins, Alexei Ratmansky, Christopher Wheeldon, Mauro Bigonzetti, Angelin Preljocaj and Peter Martins, to name a few.
Millepied started choreographing in 2001. In 2002 he founded Danses Concertantes, a pick up group gathered that different dancers for each tour and performed on during New York City Ballet’s off-season. Over the course of eight years Millepied programmed new works and ballet repertory. The group toured the United States, France, England and Sweden.
From 2006 to 2007, Millepied was choreographer-in-residence at the Baryshnikov Arts Center. During his time at BAC, Millepied created the solo Years Later for Mikhail Baryshnikov. In 2007, he received the United States Artists Wynn Fellowship. In 2010, the French Ministry of Culture made Millepied Chevalier in the Order of Arts and Letters.
Millepied’s many ballets are in the repertory of major dance companies around the world including the New York City Ballet, the Paris Opera Ballet, San Francisco Ballet, American Ballet Theatre, Berlin Staatsoper, the Mariinsky Ballet, Pacific Northwest Ballet, Pennsylvania Ballet, Ballet de Geneve, the Lyon Opera Ballet, Dutch National Ballet, among others. Millepied has commissioned several scores from composer Nico Muhly, but has also often choreographed to scores by living composers such as David Lang, Philip Glass, John Adams and Steve Reich. Millepied has collaborated with several visual artists including Daniel Buren, Mark Bradford, Christopher Wool, Barbara Krueger, Paul Cox, United Visual Artists, and designers Rodarte, Alessandro Sartori and Iris Van Herpen. In 2010, Millepied choreographed and starred in Darren Aronofsky’s feature film Black Swan.
In 2012, Millepied moved to Los Angeles, where he conceived of and founded the L.A. Dance Project. L.A. Dance Project’s mission is to promote new collaborative work by emerging and established artists, and to revisit influential multidisciplinary dance collaborations from the past. The company creates innovative platforms for contemporary dance and expands the experience of dance and dance education to audiences of all ages.
In January 2013 the Paris Opera Ballet announced Millepied’s appointment as its new Director. Millepied programmed two seasons at Paris Opera before resigning in July 2016 and moving back to L.A to focus primarily on the development of his own company L.A. Dance project, and his own work as a choreographer. During his tenure, Millepied commissioned new ballets for Paris Opera by Justin Peck, William Forsythe, Crystal Pite, Wayne McGregor and Jerome Bel, presented existing works by Anna Teresa Keersmaker, Maguy Marin, Boris Charmatz, Christopher Wheeldon, Alexei Ratmansky, Merce Cunningham, George Balanchine, Jerome Robbins and commissioned new sets by UVA, John Baldessari, Christian Lacroix, new costumes by Karl Lagerfeld, Gareth Pugh, Marie Katrantzou, Iris Van Herpen and solicited new music by composers Nico Muhly and James Blake. Another major initiative was the creation of a digital stage with the mission to invite artists from different horizons to create films inspired by the environment, the history and the artists of the Opera.
In 2016, Millepied was the subject of the Documentary Reset, the film follows Millepied in the making of his first new ballet during his tenure as Director of the Paris Opera Ballet.
In July 2016, Millepied returned back full time at L.A. Dance Project as its artistic director. Millepied is committed to creating a company with a new artistic and economic model, something he feels is an important matter in this current time. LADP is the ideal platform for him to foster his vision for dance. In April 2017, LADP announced moving into a new home in Downtown L.A which includes its own performance space.
Millepied is also a film director; he has directed numerous dance short films. In 2018, Millepied will make his directorial debut with a film musical adaptation of Carmen.