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Carmen ![]() Les Demoiselles de la NuitLe Jeune Homme et la Mort |
Trained at the Paris Opera Ballet
school, Roland Petit joined the
company in 1940 but left in 1944
to create and perform his own
works at the Theatre Sarah
Bernhardt, in Paris. In 1945 Petit
was instrumental in creating Les
Ballets des Champs-Elysees, where
he remained as principal dancer,
ballet master, and choreographer
until 1947. In 1948 he formed the
Ballets de Paris de Roland Petit,
which made several tours of
Europe and the United
States.
His choreography was often
angular or acrobatic and was
considered theatrical in its use of
mime dance, occasional singing,
and props such as cigarettes and
telephones.
Petit staged several music hall
revues and choreographed the
dances for the films Hans
Christian Andersen, The Glass
Slipper, Daddy Long Legs,
Anything Goes, and others.
The ballet film Black
Tights consisted of Petit's
works La Croqueuse de
diamants, Cyrano de Bergerac, A
Merry Mourning, and
Carmen. Petit also staged
several of his ballets for Sadler's
Wells Ballet (now the Royal
Ballet), for the Royal Danish
Ballet, and for other troupes. From
1970 to 1975 he owned and
operated the Casino de Paris. In
1973 he became director of the
Ballet de Marseille. He
choreographed a modern version
of Coppelia in 1975 and a
new Phantom of the Opera
for the Paris Opera Ballet in
1980. |