Upon graduation from
the Conservatoire Royal de Musique de Charleroi, Belgium, Mr. De
Vita was awarded the “Premier Prix” and Gold Medal.
His principal teacher was Hannah Voos. Mr. De Vita made his professional
stage debut at age 9 and began his career as a professional ballet
dancer at the age of 15. He danced, with several European Companies,
in ballets of the classical repertoire, and by choreographers such
as Peter Van Dyk, George Skibine, Antony Tudor and George Balanchine.
Also, in Europe, he performed in musical comedies and operettas
such as Hello Dolly, Kiss Me Kate and My
Fair Lady.
When he retired from performing, Mr. De Vita earned teaching qualifications
acquiring the Enrico Cecchetti Diploma and the highest teaching
degree given by the Italian Ministry of Education through the “Accademia
Nazionale di Danza,” Rome. He is a Fellow of the Imperial
Society of Teachers of Dancing, London. In 1983, together with
Raymond Lukens, he directed the Scuola di danza classica Hamlyn
in Florence, Italy. He was President and co-founder of the Associazione
Nazione Coreutica Enrico Cecchetti (the Italian Cecchetti Society).
In New York City, Mr. De Vita was faculty member at The Ailey School,
The Ailey/Fordham BFA program and guest company teacher for The
Alvin Ailey American Dance Theater and Ailey II. He was company
teacher for Hartford Ballet and principal faculty member of the
School of Hartford Ballet and the BFA dance program of the University
of Hartford; and was part of the task force that revised Hartford
Ballet School’s curriculum.
Before joining American Ballet Theatre, Franco De Vita was Dean
of Faculty and Curriculum of the Boston Ballet School and company
teacher for Boston Ballet. Mr. De Vita has been guest teacher
for Virginia School of the Arts, Peridance International, Dance
Connecticut, Dance Educators of America, Youth America Grand Prix
and for Alberta Ballet Company and School. Mr. De Vita’s
students have won prestigious international dance competitions
including the Prix de Lausanne and have danced in many of the
world’s major companies such as London’s Royal Ballet,
American Ballet Theatre, The English National Ballet, Dutch National
Ballet, The Alvin Ailey American Dance Theater, and Boston Ballet.
Most of the teachers qualified in the Cecchetti Method in Italy
were trained by Mr. De Vita. He is regularly invited to teach
at international seminars. Together with Raymond Lukens, Mr. De
Vita, authored the ABT National
Training Curriculum.
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