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Le Corsaire

Repertory Archive

Le Corsaire

Choreography by Konstantin Sergeyev
after Marius Petipa
Staging by Anna-Marie Holmes after Petipa and Sergeyev
Music by Adolphe Adam, Césare Pugni, Léo Delibes, Riccardo Drigo, and Prince Oldenbourg
Music Re-orchestrated by Kevin Galie
Libretto by Jules-Henri de Saint-Georges and Joseph Mazilier
Based on The Corsaire (1814) by Lord Byron
Scenery and Costumes by Irina Tibilova
Additional Costume Design by Robert Perdziola
Lighting by Mary Jo Dondlinger

Previous Credits
2013 Production
Scenic Design by Christian Prego
Costume Design by Anibal Lapiz
Lighting by Brad Fields

World Premiere

Entitled The Pirate (Le Corsaire)
Boston Ballet
March 27, 1997
Wang Center
Boston, Massachusetts

Natasha Akhmarova (Medora)
Pollyana Ribeiro (Gulnare)
Robert Wallace (Conrad)
Laszlo Berdo (Birbanto)
Patrick Armand (Ali, the slave)
Arthur Leeth (Lankendem)

ABT Premiere

June 19, 1998
Metropolitan Opera House
New York, New York

Nina Ananiashvili (Medora)
Ashley Tuttle (Gulnare)
Giuseppe Picone (Conrad)
Angel Corella (Birbanto)
Jose Manuel Carreño (Ali, the slave)
Vladimir Malakhov (Lankendem)

World Premiere

(Prego/Lapiz designs)

Ballet Estable del Teatro Colón
December 18, 2011
Teatro Colón
Buenos Aires, Argentina

ABT Premiere

(Prego/Lapiz designs)

April 11, 2013
John F. Kennedy Center for the Performing Arts
Washington, D.C.

Paloma Herrera (Medora)
Marcelo Gomes (Conrad)
Stella Abrera (Gulnare)
Sascha Radetsky (Lankendem)
Herman Cornejo (Ali, the Slave)
Craig Salstein (Birbanto)

New York Premiere

(Prego/Lapiz designs)

June 4, 2013
Metropolitan Opera House
New York, New York

Natalia Osipova (Medora)
Ivan Vasiliev (Conrad)
Isabella Boylston (Gulnare)
Herman Cornejo (Lankendem)
Daniil Simkin (Ali, the Slave)
Craig Salstein (Birbanto)


Prologue: A pirate ship, manned by Conrad, his slave, and his friend Birbanto sails toward Turkey.

Act I – The Bazaar: Dealers and buyers fill a noisy bazaar where slave girls are being traded. Conrad and his men arrive where Lankendem, the owner of the bazaar, is selling girls. Conrad sees Medora, a slave girl, and falls immediately in love. Seyd, a pasha, arrives on the scene amidst much fanfare. Lankendem presents three young women whom the pasha rejects. Lankendem presents Gulnare, a lovely slave girl, to the pasha and he buys her. Lankendem then presents a young slave girl, Medora, and everyone is entranced by her beauty. The pasha buys her. Conrad instructs the slave to steal Medora back and the pirates raid the village and kidnap Lankendem.

Act II – The Grotto: Conrad shows Medora his hideout. Birbanto calls all the pirates to bring in their stolen bounty to the grotto, as well as the slave girls and Lankendem. Medora, Conrad, and his slave dance to entertain the crew. Afterward, Medora entreats Conrad, in the name of their love, to free all the slave girls. He agrees, but Birbanto rebels against the idea and instead persuades the pirates to riot against Conrad. By the force of Conrad’s commanding personality and physical presence, he single-handedly instills terror into the hearts of the pirates and they abandon their mutinous plan. Not to be thwarted, Birbanto devises a new scheme. He sprays a rose with a sleeping potion and forces Lankendem to help him pass the flower to Medora, who unwittingly gives it to Conrad. He inhales its aroma and falls into a drugged sleep. The pirates return to the grotto and attempt to capture Medora. While struggling, she snatches a dagger and cuts Birbanto’s arm. In the confusion, Lankendem steals Medora back and escapes. Birbanto is about to kill Conrad but is interrupted by the slave. Stunned and broken-hearted, Conrad discovers Medora missing. Birbanto feigns ignorance and swears his loyalty to Conrad.

Act III, Scene One – The Pasha’s Palace: The playful Gulnare is interrupted by Lankendem bringing a veiled Medora. The pasha is delighted that Medora has been recaptured and declares that she will become his number one wife.

Act III, Scene Two – Jardin Animé: Delighted by all his lovely women, the pasha dreams of them in a beautiful garden.

Act III, Scene Three – The Pasha’s Palace: The pasha is awakened by the arrival of Conrad, Birbanto, and the pirates, disguised as pilgrims. He invites them to enter the palace. Medora recognizes Conrad, disguised as one of the pilgrims. Suddenly the pilgrims throw off their robes and reveal themselves as pirates. Chaos erupts within the palace. Conrad and his men chase away the pasha, his guard and wives. They dance in victory. Suddenly, Birbanto runs in chasing Gulnare. They collide with Conrad and Medora. Medora exposes Birbanto as a traitor, and Conrad shoots him. Conrad’s slave helps Medora, Gulnare, and Conrad escape. They flee to the ship.

Act III, Scene Four – The Storm: The pirate ship sails upon a calm sea. Conrad, at the helm, cradles Medora in his arms. Suddenly a fierce storm blows across as lightning illuminates the darkening sky. Gusting winds shred the sails and a lightning bolt snaps the ship’s mast in half. The ship sinks amidst the relentless, turbulent waters.

Epilogue: As the wind subsides and the sea calms itself, the moon rises in the sky. It sheds light upon Conrad and Medora, clinging to a rock and offering thanks for their miraculous survival, a testimony to the strength of their love.