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A native of Vermont, Kevin McKenzie received his ballet training
at the Washington School of Ballet. In 1972, Mr. McKenzie was
awarded a Silver medal at the Sixth International Competition
in Varna, Bulgaria. He was a leading dancer with both the National
Ballet of Washington and The Joffrey Ballet before joining American
Ballet Theatre as a Soloist in March 1979. Mr. McKenzie was
appointed a Principal Dancer the following December and danced
with the Company until 1991.
As a Principal Dancer with American Ballet Theatre, Mr. McKenzie
danced leading roles in all of the major full-length classics
including Solor in La Bayadère,
Don Jose in Carmen, the Prince in
Mikhail Baryshnikov’s production of the full-length Cinderella,
Franz in Coppélia, the Gentleman
With Her in Dim Lustre, Basil and
Espada in Don Quixote (Kitri’s Wedding),
Albrecht in Giselle, a leading role
in The Garden of Villandry, Her
Lover in Jardin aux Lilas, the leading
role in The Leaves Are Fading, the
Friend in Pillar of Fire, the leading
role in Raymonda (Grand Pas Hongrois),
a featured role in Requiem, the
Champion Roper in Rodeo, Romeo and
Mercutio in Romeo and Juliet, Prince
Desire in The Sleeping Beauty, Prince
Siegfried in Swan Lake, James in
La Sylphide and the leading roles
in Other Dances, Paquita,
Les Sylphides, the Sylvia
Pas de Deux and Theme and Variations.
He created the role of Amnon in Martine van Hamel’s Amnon
V’Tamar and a leading role in Clark Tippet’s S.P.E.B.S.Q.S.A.
During his performing career, Mr. McKenzie performed as a guest
artist in cities throughout the world, including Spoleto, Italy,
Paris, London, Tokyo, Havana, Moscow, Vienna and Korea, dancing
with, among others, the London Festival Ballet, the Bolshoi
Ballet, the National Ballet of Cuba and the Universal Ballet
in Seoul. In September 1989, Mr. McKenzie was appointed a permanent
guest artist with The Washington Ballet, and, in 1991, assumed
the position of Artistic Associate of that company. He has also
acted as Associate Artistic Director of, and a choreographer
with, Martine van Hamel’s New Amsterdam Ballet.
McKenzie was appointed Artistic Director of American Ballet Theatre in October 1992. His previous choreographic credits include Groupo Zambaria (1984) and Liszt Études (1991) both for Martine van Hamel’s New Amsterdam Ballet, and Lucy and the Count (1992) for The Washington Ballet and, for American Ballet Theatre, The Nutcracker (1993), Don Quixote (1995, in collaboration with Susan Jones) a new production of Swan Lake (2000), the conception and direction of a new production of Raymonda (2004), with choreography by Anna-Marie Holmes and a new production of The Sleeping Beauty with Gelsey Kirkland and Michael Chernov. In 2014, McKenzie, with ABT Ballet Mistress Irina Kolpakova, staged a new production of Raymonda Divertissements.
McKenzie has received numerous awards including an honorary degree of Doctor of Arts from Saint Michael’s College in Colchester, Vermont (1993) and the Dance Magazine Award (1999). In addition, he appeared in two Emmy Award winning broadcasts, The Unicorn, the Gorgon and the Manticore (1970) and American Ballet Theatre in Le Corsaire (1998) both for PBS’ Dance in America series. McKenzie is a founding board member of Kaatsbaan International Dance Center in Tivoli, New York.