Leonard Bernstein

Leonard Bernstein was born in Lawrence, Massachusetts.  He took piano lessons as a boy and attended the Garrison and Boston Latin Schools.  At Harvard University, he studied with Walter Piston, Edward Burlingame-Hill, and A. Tillman Merritt, among others.  Before graduating in 1939, he made an unofficial conducting debut with his own incidental music to The Birds, and directed and performed in Marc Blitstein’s The Cradle Will Rock.  Then, at the Curtis Institute of Music in Philadelphia, he studied piano with Isabella Vongerova, conducting with Fritz Reiner and orchestration with Randall Thompson.

In 1940, he studied at the Boston Symphony Orchestra’s newly created summer institute, Tanglewood, with the orchestra’s conductor, Serge Koussevitzky.  Bernstein later became Koussevitzky’s conducting assistant.

Bernstein was appointed to his first permanent conducting post in 1943, as Assistant Conductor of the New York Philharmonic.  On November 14, 1943, Bernstein substituted on a few hours’ notice for the ailing Bruno Walter at a Carnegie Hall concert, which was broadcast nationally on radio, receiving critical acclaim.  Soon orchestras worldwide sought him out as a guest conductor.

In 1945, he was appointed Music Director of the New York City Symphony Orchestra, a post he held until 1947.  After Serge Koussevitzky died in 1951, Bernstein headed the orchestral and conducting departments at Tanglewood, teaching there for many years.  In 1951, he married the Chilean actress and pianist, Felicia Montealegre.  He was also visiting music professor and head of the Creative Arts Festivals at Brandeis University in the early 1950s.

Bernstein became Music Director of the New York Philharmonic in 1958.  From then until 1969 he led more concerts with the orchestra than any previous conductor.  He subsequently held the lifetime title of Laureate Conductor, making frequent guest appearances with the orchestra.  More than half of Bernstein’s 400-plus recordings were made with the New York Philharmonic.

Bernstein traveled the world as a conductor.  Immediately after World War II, in 1946, he conducted in London and at the International Music Festival in Prague.  In 1947, he conducted in Tel Aviv, beginning a relationship with Israel that lasted until his death.  In 1953, Bernstein was the first American to conduct an opera at the Teatro alla Scala in Milan: Cherubini’s Medea with Maria Callas.

Bernstein was a leading advocate of American composers, particularly Aaron Copland.  The two remained close friends for life.  As a young pianist, Bernstein performed Copland’s “Piano Variations” so often he considered them his trademark.  Bernstein programmed and recorded nearly all of the Copland orchestral works – many of them twice.  He devoted several televised Young People’s Concerts to Copland and gave the premiere of Copland’s Connotations, commissioned for the opening of Philharmonic Hall (now David Geffen Hall) at Lincoln Center in 1962.

While Bernstein’s conducting repertoire encompassed the standard literature, he may be best remembered for his performances and recordings of Haydn, Beethoven, Brahms, Schumann, Sibelius, and Mahler.  Particularly notable were his performances of the Mahler symphonies with the New York Philharmonic in the 1960s, sparking a renewed interest in the works of Mahler.

Inspired by his Jewish heritage, Bernstein completed his first large-scale work: Symphony No. 1: Jeremiah (1942).  The piece was first performed with the Pittsburgh Symphony Orchestra in 1944, conducted by the composer, and received the New York Music Critics’ Award.  Koussevitzky premiered Bernstein’s Symphony No. 2: The Age of Anxiety with the Boston Symphony Orchestra, with Bernstein as piano soloist.  His Symphony No. 3: Kaddish, composed in 1963, was premiered by the Israel Philharmonic Orchestra.  Kaddish is dedicated “To the Beloved Memory of John F. Kennedy.”

Other major compositions by Bernstein include Prelude, Fugue and Riffs, for solo clarinet and jazz ensemble (1949), Serenade, for violin, strings, and percussion (1954); Symphonic Dances from West Side Story (1960); Chichester Psalms, for chorus, boy soprano, and orchestra (1965); Mass: A Theatre Piece for Singers, Players, and Dancers, commissioned for the opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C., and first produced here in 1971; Songfest, a song cycle for six singers and orchestra (1977); Divertimento, for orchestra (1980); Hail, for solo flute and small orchestra (1981); Touches, for solo piano (1981); Missa Brevis, for singers and percussion (1988); Thirteen Anniversaries, for solo piano (1988); Concerto for Orchestra: Jubilee Games, 1989); and Arias and Barcarolles, for two singers and piano duet (1988).

Bernstein also wrote a one-act opera, Trouble in Tahiti, in 1952, and its sequel, the three-act opera, A Quiet Place in 1983.  He collaborated with choreographer Jerome Robbins on three major ballets:  Fancy Free (1944) and Facsimile (1946) for American Ballet Theatre; and Dybbuk (1975) for New York City Ballet.  He composed the score of the award-winning movie On the Waterfront (1954) and incidental music for two Broadway plays:  Peter Pan (1950) and The Lark (1955).

Bernstein contributed substantially to the Broadway musical stage.  He collaborated with Betty Comden and Adolph Green on On the Town (1944) and Wonderful Town (1953).  In collaboration with Richard Wilbur and Lillian Hellman and others he wrote Candide (1956).  Other versions of Candide were written in association with Hugh Wheeler, Stephen Sondheim, et al.  In 1957 he again collaborated with Jerome Robbins and Stephen Sondheim, as well as Arthur Laurents, on the landmark musical West Side Story, also made into the Academy Award-winning film.  In 1976, Bernstein and Alan Jay Lerner wrote 1600 Pennsylvania Avenue.

Festivals of Bernstein’s music have been produced throughout the world.  In 1978, the Israel Philharmonic sponsored a festival commemorating his years of dedication to Israel.  The Israel Philharmonic also bestowed on him the lifetime title of Laureate Conductor in 1988.  In 1986, the London Symphony Orchestra and the Barbican Center produced a Bernstein Festival.  The London Symphony Orchestra in 1987 named him Honorary President.  In 1989 the city of Bonn presented a Beethoven/Bernstein Festival.

In 1985, the National Academy of Recording Arts and Sciences honored Bernstein with the Lifetime Achievement Grammy Award.  He won 11 Emmy Awards in his career.  His televised concert and lecture series started with the Omnibus program in 1954, followed by the extraordinary Young People’s Concerts (1958) with the New York Philharmonic, a series that extended over 14 seasons.  Among his many appearances on the PBS series Great Performances was the 11-part acclaimed Bernstein’s Beethoven.  In 1989, Bernstein and others commemorated the 1939 invasion of Poland in world-wide telecast from Warsaw.

Bernstein’s writings were published in The Joy of Music (1959), Leonard Bernstein’s Young People’s Concerts (1961), The Infinite Variety of Music (1966), and Findings (1982).  Each has been widely translated.  He gave six lectures at Harvard University in 1972-1973 as the Charles Eliot Norton Professor of Poetry.  These lectures were subsequently published and televised as The Unanswered Question.

Bernstein always rejoiced in opportunities to teach young musicians.  His master classes at Tanglewood were famous.  He was instrumental in founding the Los Angeles Philharmonic Institute in 1982.  He helped create a world-class training orchestra at the Schleswig Holstein Music Festival.  He founded the Pacific Music Festival in Sapporo, Japan.  Modeled after Tanglewood, this international festival was the first of its kind in Asia and continues to this day.

Bernstein received many honors. He was elected in 1981 to the American Academy of Arts and Letters, which gave him a Gold Medal.  The National Fellowship Award in 1985 applauded his life-long support of humanitarian causes.  He received the MacDowell Colony’s Gold Medal; medals from the Beethoven Society and the Mahler Gesellschaft; the Handel Medallion, New York City’s highest honor for the arts; a Tony Award (1969) for Distinguished Achievement in the Theater; and dozens of honorary degrees and awards from colleges and universities.  He was presented ceremonial keys to the cities of Oslo, Vienna, Bersheeva, and the villages of Bernstein, Austria, among others.  National honors came from Italy, Israel, Mexico, Denmark, Germany (the Great Merit Cross), and France (Chevalier, Officer and Commandeur of the Legion d’Honneur).  He was a recipient of a Kennedy Center Honor in 1980.

World peace was a particular concern of Bernstein.  Speaking at Johns Hopkins University in 1980 and the Cathedral of St. John the Divine in New York in 1983, he described his vision of global harmony.  His “Journey of Peace” tour to Athens and Hiroshima with the European Community Orchestra in 1985 commemorated the 40th anniversary of the atomic bomb.  In December 1989, Bernstein conducted the historic “Berlin Celebration Concerts” on both sides of the Berlin Wall, as it was being dismantled.  The concerts, performed by musicians representing the former East Germany, West Germany, and the four powers that had partitioned Berlin after World War II, were unprecedented gestures of cooperation.

Bernstein supported Amnesty International from its inception.  To benefit the effort in 1987, he established the Felicia Montealegre Fund in memory of his wife who died in 1978.

In 1990, Bernstein received the Praemium Imperiale, an international prize created in 1988 by the Japan Arts Association and awarded for lifetime achievement in the arts.  Bernstein used the $100,000 prize to launch the Bernstein Education Through the Arts (BETA) Fund, Inc.

Bernstein was the father of three children – Jamie, Alexander, and Nina – and the grandfather of two:  Francisca and Evan.