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Between two worlds: classic movement meets contemporary music in this crossover program. The performance features the music of The Beach Boys, Tony Bennett, Igor Stravinsky and William Bolcom.
George Balanchine’s neoclassical masterpiece depicts Apollo’s birth, his interplay with the muses of dance, poetry and mime, and his ascent to Mount Olympus. The ballet was Balanchine’s first major work with Igor Stravinsky and marked the start of a legendary artistic collaboration.
This intimate and unconventional pas de deux follows the arc of a relationship, exploring the moments of tension and companionship that make two into one.
A playful and romantic duet, set to beloved classic songs sung by the incomparable Tony Bennett. Choreographed by longtime ABT collaborator Jessica Lang, Let Me Sing Forevermore seamlessly blends jazz and ballet to create the perfect showcase for ABT’s most spirited and versatile dancers.
A groundbreaking work first presented in 1973, Twyla Tharp’s Deuce Coupe contrasts classical vocabulary with playful sounds of the ‘60s and ‘70s. Featuring music by The Beach Boys, Deuce Coupe juxtaposes the ballet vocabulary that has evolved more than 300 years with another movement vocabulary that is loosely based on contemporary social dances.